Quantum To Quandary Blog, Off Center for Emergence Studies, UT Dallas

Roger F Malina and Aperio LLM.

Oct 16 2025

Next week ,  I talk about”Quantum Arts & Culture: The Fusion of Science and Creativity” on October 20th I am giving a talk to Students, Academics, Industry in quantum physics and its applications

  Topic: Quantum Arts & Culture: The Fusion of Science and Creativity: Uncover the fascinating ways quantum concepts influence the arts, from quantum-inspired music and visual arts to the philosophical implications of quantum theory on culture.

So here is an anticipation of what I will present:

Quantum to Quandary: An Essay by Roger F. Malina

My name is Roger F. Malina. My career has traversed a long arc—from building telescopes to study large-scale astrophysical phenomena, to fostering the intersection of art, science, and technology. Initially trained as an astrophysicist, I worked on instruments for extreme ultraviolet (EUV) astronomy, creating tools to detect and digitize cosmic events beyond the reach of our senses. Today, I operate in university and nonprofit contexts, often involved in emerging issues ( Make AI with Purpose) that precede the formation of formal industries, including quantum technologies.

My interest in quantum phenomena began during my PhD work at UC Berkeley. There, I collaborated on a project that converted EUV light into electrons using microchannel plates to generate digital images—effectively a bridge between quantum events and human-readable data. We filed a patent titled “Maximizing the quantum efficiency of microchannel plate detectors: The collection of photoelectrons from the interchannel web using an electric field” (Taylor, Hettrick & Malina). That was my quantum moment: when invisible interactions became visible through engineered transformation.

What I find most compelling about quantum communication—particularly from artists—is the emphasis on scale. The International Bureau of Weights and Measures (BIPM) systematically names scales: micro, nano, pico, up to yotta and now quetta. These measures are linguistic attempts to tame magnitude. Yet for most of human history, we’ve been stuck at human scale—phenomena we can see, touch, or live within. Only recently, through telescopes and microscopes, have we accessed the extreme scales where quantum effects unfold.

Over the years, quantum technologies have evolved from obscure academic curiosities to mainstream research and commercialization efforts. Ironically, as quantum became more usual, I became less interested in it directly. Instead, I now study emergence at all scales—from emotional states to ecological systems to habitability on Earth. I remain skeptical of pursuits like pre-Big Bang cosmology, choosing instead to focus on what emerges in the observable now.

Transitioning careers—from astrophysics into art-science publishing—was enabled not by technologies but by communities of practice. When I took over the Leonardo publications, now at MIT Press, I inherited and extended a network of collaborators who blurred disciplinary lines: physicists like C.P. Snow, authors like Ray Bradbury, and biochemists like Joseph Needham. These were not my colleagues in astrophysics—but they became co-conspirators in shaping new transdisciplinary paradigms.

Quantum technologies have the potential to reshape artistic practice, not just through new tools, but by redefining the conceptual substrates of art itself. Just as photography or computation redefined aesthetics in earlier centuries, quantum logic—with its entanglement, uncertainty, and probabilistic structure—can challenge artists to reimagine reality, perception, and causality. But for this to happen meaningfully, we must build bridges across academic silos and disciplinary gatekeeping.

When communicating about quantum computing with stakeholders, it’s vital to manage expectations. Yes, quantum systems promise exponential speedups and the ability to model complex systems. But more data, faster, is not necessarily better. We have become data-rich and meaning-poor. Imagination—something AI does not possess—remains our most essential tool. As Feynman envisioned in 1981, quantum computers were a dream; now, nearly 50 years later, we are just beginning to commercialize them. The question remains: will they make the world more habitable?

Curators and communicators face challenges in presenting quantum phenomena because they often fall outside human sensory experience. In one project, a member of our lab created an animation titled Quanta, where a Black woman shrinks to the quantum scale. As color disappears at that scale, so does the social construct of race—a powerful metaphor for the scale-dependence of human meaning.

Artists bring more than just communication skills to particle physics—they bring conceptual disruption. Through concept transfer, artists can offer orthogonal insights that may not emerge from scientific methods alone. Though rarely rewarded with a Nobel Prize, these provocations can be indispensable.

The most valuable skills for the next generation of quantum professionals extend beyond technical prowess. Anticipation, as elaborated by Mihai Nadin, is uniquely human and irreplaceable by AI ( the data for imagination is in no database). Likewise, training curiosity—as explored by my colleague Cassini Nazir—is a skill that must be cultivated, not assumed not inherited.

A common misconception is that careers in quantum technology are linear or narrowly technical. I never had a traditional quantum career—yet I co-authored a patent, collaborated across disciplines, and witnessed the birth of industries. Sometimes, quantum contributions emerge from unexpected trajectories.

And finally, the phrase “Quantum to Quandary” encapsulates much of this journey. Quantum advances don’t resolve mysteries—they transform them into new forms of uncertainty. From superpositions to ethical dilemmas, from entanglement to societal complexity, we don’t escape the unknown—we deepen it.

That, perhaps, is the true legacy of quantum thinking: not answers, but better unanticipatable curiosity.

ALL the ideas in this blog are human generated, the text itself is largely generated by Aperio LLM..

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